quotations about avant-garde theatre
In an age where everyone wants to be cutting edge and experimental, where there is virtually no censorship and the power to shock is all but gone, is there any longer such a thing as the avant-garde?... It is hard to decide whether all art is now avant-garde, or none of it.
DAVID LISTER
"ICA: Trouble at Mall", The Independent, September 27, 2010
More than one branch of the avant-garde, claiming to break with the bourgeois vision and mode of production, remains tied to it in spite of its denials and ex-communications. We are far from having overcome bourgeois thought or practices, despite the socialist "intermission" between the Russian revolution and the collapse of the Berlin wall. The avant-garde has lost its radical nature. On the other hand, "bourgeois theatre" is sometimes subtle enough to flirt with the avant-garde or to make "intelligent boulevard theatre."
PATRICE PAVIS
Dictionary of the Theatre
I am, it seems, an avant-garde dramatist. It would even seem obvious since I am present here at discussions on the avant-garde theatre. It is all entirely official. But what does the term avant-garde mean?
EUGENE IONESCO
remarks at the International Theatre Institute, Jun. 1959
Avant-garde theatre, with its distrust of the individual (that bourgeois invention), tends to go beyond [character] and the psychological approach in search of a syntax of types and characters which are "deconstructed and post-individual."
PATRICE PAVIS
Dictionary of the Theatre
The avant-garde understands itself as invading unknown territory, exposing itself to the dangers of sudden, shocking encounters, conquering an as yet unoccupied future ... The avant-garde must find a direction in a landscape into which no one seems to have yet ventured.
JURGEN HABERMAS
"Modernity versus Postmodernity", Modernity: Critical Concepts
The avant-garde is a notion shaped by discomfort, as well as defiance.... It makes people feel uneasy or threatened.
BEN RATLIFF
"Big Ears Festival Stars the Avant-Garde", New York Times, March 30, 2015
Theatre is not and should not be a literary form of expression. A theatrical celebration can take place anywhere: out of doors, in a garage, in a stable. The problem with avant-garde theatre today is that it is absolutely intellectual. You have to be cerebrally inclined to understand what is going on.
JEROME SAVARY
attributed, Experimental Theatre
Avant-garde theatre has a long and distinguished history of employing performance to ignite the conscience of an ethical observer.
TIM ETCHELLS
Certain Fragments
The avant-garde would seem to be an artistic and cultural phenomenon of a precursory nature, which tallies with its literal meaning. It would be a kind of "pre-style," indicating and pointing the direction of a change which will triumph in the end, a change which will truly change everything. This amounts to saying that the avant-garde cannot generally be recognized until after the event: when they have succeeded, when the avant-garde writers and artists have acquired a following, when they have founded a prevailing school, a cultural style which is recognized and will conquer an age. Consequently one can only see that there has been an avant-garde when it no longer exists as such, when it has in fact, become a rear guard; when it has been joined and even outstripped by the main army. But an army marching toward what?
EUGENE IONESCO
remarks at the International Theatre Institute, Jun. 1959
"Avant garde" has become a ubiquitous label, eclectically applied to any type of art that is anti-traditional in form. At its simplest, the term is sometimes taken to describe what is new at any given time: the leading edge of artistic experiment, which is continually outdated by the next step forward.
C. D. INNES
Avant Garde Theatre: 1892-1992
Avant-garde theater is a tricky proposition. For every triumph ... there are 500 pretentiously dreadful and dreadfully pretentious copycats.
ANITA GATES
"A Throwback to the 1960s, and to the Bible", New York Times, October 11, 2013
A substantial part of avant-garde art, guided by the genre of the manifesto, was not meant to be contemplated in private ... its screeching voice upsets our close-reading sensibilities.
MARTIN PUCHNER
"Screeching Voices: Avant-Garde Manifestos in the Cabaret"
The avant-garde theater is fun; it is free-wheeling, bold, iconoclastic, and often wildly, wildly funny. If you will approach it with childlike innocence -- putting your standard responses aside, for they do not apply -- if you will approach it on its own terms, I think you will be in for a liberating surprise. I think you may no longer be content with plays that you can't remember halfway down the block.
EDWARD ALBEE
"Which Theater Is the Absurd One?", 1962
I think we can regard the past eighty or so years in the arts ... not as a series of islands with names ending in ism, but as forming a still little-explored continent whose jagged coastline we have begun to leave astern without knowing whether the land is habitable.
ROGER SHATTUCK
introduction, The History of Surrealism
Well, postmodern avant-gardism does exist. The avant-garde is a forward wave that is a concurrent function of the culture. The avant-garde is always there.... It's a forward momentum that is always happening.
BILLY NAME
"The Warhol Collaborator Billy Name on Andy, Photography and the Afterlife", T Magazine, November 6, 2014
On the surface the avant garde as a whole seems united primarily in terms of what they are against: the rejection of social institutions and established artistic conventions, or antagonism towards the public (as representative of the existing order). By contrast any positive programme tends to be claimed as exclusive property by isolated and even mutually antagonistic sub-groups. So modern art appears fragmented and sectarian, defined as much by manifestos as imaginative work.
C. D. INNES
Avant Garde Theatre: 1892-1992
How slowly time passes when the avant-garde is having fun.
CRITIC
review of Merce Cunningham's "Ocean", Financial Times, 1994
The postmodern avant garde strips the idea of "modernism" itself of its assumed univocality, its consistency as a period style.
MICK WALLIS
Drama/Theatre/Performance
I do not like the Broadway theatre because it does not know how to say hello. The tone of voice is false, the mannerisms are false, the sex is false, ideal, the Hollywood world of perfection, the clean image, the well pressed clothes, the well scrubbed anus, odorless, inhuman, of the Hollywood actor, the Broadway star. And the terrible false dirt of Broadway, the lower depths in which the dirt is imitated, inaccurate.
JULIAN BECK
diary, 1962
Anti-art theater practitioners ... seek a freedom that brings a more ontologically fluid immediacy to the events in the theater. For this avant-garde, theater is not so much the realization of a fixed work constituted through performance as the unfolding of a unique event.
DAVID GRAVER
The Aesthetics of Disturbance