quotations about writing
The same common-sense which makes an author write good things, makes him dread they are not good enough to deserve reading.
JEAN DE LA BRUYÈRE
"Of Works of the Mind", Les Caractères
You must keep sending work out; you must never let a manuscript do nothing but eat its head off in a drawer. You send that work out again and again, while you're working on another one. If you have talent, you will receive some measure of success -- but only if you persist.
ISAAC ASIMOV
attributed, How to Become a Famous Writer Before You're Dead
You do have a leash, finally, as a writer. You're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays--to allow the thing to be free but still hold the final leash.
HAROLD PINTER
The Progressive, March 2001
Everything you look at can be turned into a story ... you can make a tale of everything you touch.
HANS CHRISTIAN ANDERSEN
"The Elder Tree Mother"
Writing is a weird thing because we can read, we know how to write a sentence. It's not like a trumpet where you have to get some skill before you can even produce a sound. It's misleading because it's hard to make stories. It seems like it should be easy to do but it's not. The more you write, the better you're going to get. Write and write and write. Try not to be hard on yourself.
GAIL CARSON LEVINE
interview, RIF Reading Planet
Fiction is about everything human and we are made out of dust, and if you scorn getting yourself dusty, then you shouldn't try to write fiction. It's not a grand enough job for you.
FLANNERY O'CONNOR
Mystery and Manners
The poet cannot invent new words every time, of course. He uses the words of the tribe. But the handling of the word, the accent, a new articulation, renew them.
EUGENE IONESCO
Present Past / Past Present
One forges one's style on the terrible anvil of daily deadlines.
EMILE ZOLA
Le Figaro
The thing to remember when you're writing is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader.
CHARLES DE LINT
The Blue Girl
That writer who aspires to immortality, should imitate the sculptor, if he would make the labours of the pen as durable as those of the chisel. Like the sculptor, he should arrive at ultimate perfection, not by what he adds, but by what he takes away.
CHARLES CALEB COLTON
Lacon
As for the story, whether the poet takes it ready made or constructs it for himself, he should first sketch its general outline, and then fill in the episodes and amplify in detail.
ARISTOTLE
Poetics
The role of the writer is not to say what we can all say, but what we are unable to say. Most of the writing today which is called fiction contains such a poverty of language, such triteness, that it is a shrunken, diminished world we enter, poorer and more formless than the poorest cripple deprived of ears and eyes and tongue. The writer's responsibility is to increase, develop our senses, expand our vision, heighten our awareness and enrich our articulateness.
ANAÏS NIN
The Diary of Anaïs Nin
Nothing can destroy the good writer. The only thing that can alter the good writer is death. Good ones don't have time to bother with success or getting rich.
WILLIAM FAULKNER
The Paris Review, spring 1956
What I cannot thus eliminate, what I must, head down, eyes shut, with the courage of a battalion and the blindness of a bull, charge and disperse are, indubitably, the figures behind the ferns, commercial travellers. There I've hidden them all this time in the hope that somehow they'd disappear, or better still emerge, as indeed they must, if the story's to go on gathering richness and rotundity, destiny and tragedy, as stories should, rolling along with it two, if not three, commercial travellers and a whole grove of aspidistra.
VIRGINIA WOOLF
"An Unfinished Novel", The Complete Shorter Fiction of Virginia Woolf
In the very act of writing I felt pleased with what I did. There was the pleasure of having words come to me, and the pleasure of ordering them, re-ordering them, weighing one against another. Pleasure also in the imagination of the story, the feeling that it could mean something. Mostly I was glad to find out that I could write at all. In writing you work toward a result you won't see for years, and can't be sure you'll ever see. It takes stamina and self-mastery and faith. It demands those things of you, then gives them back with a little extra, a surprise to keep you coming. It toughens you and clears your head. I could feel it happening. I was saving my life with every word I wrote, and I knew it.
TOBIAS WOLFF
In Pharaoh's Army
Writing is eternal,
For therein the dead heart liveth, the clay-cold tongue is eloquent,
And the quick eye of the reader is cleared by the reed of the scribe.
As a fossil in the rock, or a coin in the mortar of a ruin,
So the symbolled thoughts tell of a departed soul:
The plastic hand hath its witness in a statue, and exactitude of vision in a picture,
And so, the mind, that was among us, in its writings is embalmed.
MARTIN FARQUHAR TUPPER
Proverbial Philosophy
Much modern prose is praised for its terseness, its scrupulous avoidance of curlicue, etcetera. But I don't feel the deeper rhythm there. I don't think these writers are being terse out of choice. I think they are being terse because it's the only way they can write.
MARTIN AMIS
The Paris Review, spring 1998
The less attention I pay to what people want and the more attention I pay to just writing the book I want to write, the better I do.
LAWRENCE BLOCK
Newsweek, July 13, 2009
Any writer, in whatever form, must first pass through the stage of being a reader. It is unimaginable that someone could become a writer without first being a reader. Only a daydreamer who had fallen into an unhealthy idealism could exoticize a writer in this way. Such misperception is similar to believing that thought is possible without language.
KOBO ABE
The Frontier Within
Without a pen in my hand I can't think.
JOHN LE CARRÉ
interview, The Paris Review, summer 1997