quotations about writing
A man always writes absolutely well whenever he writes in his own manner, but the wigmaker who tries to write like Gellert ... writes badly.
GEORG CHRISTOPH LICHTENBERG
"Notebook B", The Waste Books
Write books only if you are going to say in them the things you would never dare confide to anyone.
EMIL CIORAN
The Trouble with Being Born
I think without writing I would feel completely useless.
SAM SHEPARD
The Observer, March 20, 2010
Great novelists are philosopher-novelists who write in images instead of arguments.
ALBERT CAMUS
The Myth of Sisyphus
I'm an into-the-mist writer in terms of plotting, and my process in general is very intuitive. Since my series characters are well established, what usually happens is they start talking in my head, and I'd better grab a pad and pen or hit the digital recorder feature on my iPhone or get to the keyboard before it goes away.
ELIZABETH ZELVIN
interview, Kings River Life Magazine, May 2012
So basically, it's totally selfish why I write. There are more harmful ways to spend your time, is how I justify it I guess. If my stories can make others laugh, or make others feel unexpected and complicated emotions, well then it's more than feeling good, then it's a bonus, then its rewarding, then you're building community.
TYLER BARTON
"Millennial Writers on Writing", Huffington Post, February 16, 2016
No music. No rituals. At home I write in my office or on the laptop in the kitchen where our puppy likes to sleep, and I love his company. But I've trained myself to be able to work anywhere, and I write on trains, planes, in automobiles (if I'm not the driver), airports, hotel rooms. I travel often. If I couldn't write wherever I was I would get little done. I also can write in short bursts. Fifteen minutes are enough to move a story forward.
GAIL CARSON LEVINE
interview, Bookshop Talk, September 22, 2011
All good writing is swimming under water and holding your breath.
F. SCOTT FITZGERALD
undated letter to his daughter "Scottie"
There are probably seven persons, in all, who really like my work; and they are enough. I should write even if I were the only patient reader, for my aim is merely self-expression.
H. P. LOVECRAFT
"The Defence Remains Open!"
Show people your stuff, listen carefully to their responses, but ultimately don't value anyone's opinion above your own. Be influenced by writers you dislike as well as writers you like. Read their stuff to figure out what's wrong. Find a balance between the confidence that allows you continue, and the self-critical facility that enables you to improve. Get the balance wrong on either side, and you're screwed.
ALEX GARLAND
interview with Dennis Widmyer, July 30, 2007
With pen and with pencil we're learning to say
Nothing, more cleverly every day.
WILLIAM ALLINGHAM
"Blackberries"
While I am writing, the sea's roar is coming up to me, and I close my eyes. I am looking into an unborn and shapeless world that longs to be called to life and order, I am looking into a throng of phantoms of human forms which beckon me to conjure them and set them free: some of them tragic, some of them ridiculous, and some that are both at once.
THOMAS MANN
Tonio Kröger
One writes because one has been touched by the yearning for and the despair of ever touching the Other.
CHARLES SIMIC
The Unemployed Fortune-Teller
You have to seduce the reader, manipulate their mind and heart, listen to the music of language. I sometimes think of prose as music, in terms of its rhythms and dynamics, the way you compress and expand the attention of a reader over a sentence, the way the tempo pushes you towards an image or sensation. We want an intense experience, so that we can forget ourselves when we enter the world of the book. When you are reading, the physical object of the book should disappear from your hands.
CARLOS RUIZ ZAFON
"The Shadow Maker", The Telegraph, November 27, 2005
A writer should be able to express himself easily, naturally, copiously in a form that frees his mind, his energies. Why should he hobble himself with formalities?
SAUL BELLOW
The Paris Review, winter 1966
A lot of novelists start late--Conrad, Pirandello, even Mark Twain. When you're young, chess is all right, and music and poetry. But novel-writing is something else. It has to be learned, but it can't be taught. This bunkum and stinkum of college creative writing courses! The academics don't know that the only thing you can do for someone who wants to write is to buy him a typewriter.
JAMES M. CAIN
The Paris Review, spring-summer 1978
I think a writer's job is to provoke questions. I like to think that if someone's read a book of mine, they've had--I don't know what--the literary equivalent of a shower. Something that would start them thinking in a slightly different way perhaps. That's what I think writers are for. This is what our function is.
DORIS LESSING
The Paris Review, spring 1988
Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.
JOAN DIDION
The Paris Review, spring 2006
I understood that my real problem with writing was not that I couldn't do it mentally. I couldn't do it physically. I could not sit still. Literally, could not sit still. So I had to solve that. I used some long scarves to tie myself into my chair. I tied myself in with a pack of cigarettes on one side and coffee on the other, and when I instinctively bolted upright after a few minutes, I'd say, Oh, shit. I'm tied down. I've got to keep writing.
LOUISE ERDRICH
The Paris Review, winter 2010
I can't leave a chapter alone until I think it's as good as I can make it at that time. Often I will reach a stage, say, a third of the way into the book, where I realize there's something very wrong. Everything starts to feel shallow and false and unsatisfactory. At that stage I'll go back to the beginning. I might have written only fifty pages, but it's like a cantilever and the whole thing is getting very shaky because I haven't thought things through properly. So I'll start again and I'll write all the way through and then just keep going until it starts to get shaky again, and then I'll go back because I'll know that there's something really considerable, something deeply necessary waiting to be discovered or made. Often these are unbelievably big things. Sometimes they are things that readers will ultimately think the book is about.
PETER CAREY
The Paris Review, summer 2006