quotations about writing
I like to write. Sometimes I'm afraid that I like it too much because when I get into work I don't want to leave it. As a result I'll go for days and days without leaving the house or wherever I happen to be. I'll go out long enough to get papers and pick up some food and that's it. It's strange, but instead of hating writing I love it too much.
HARPER LEE
interview with Roy Newquist, Counterpoints, 1964
Almost every author I have met who has started a novel that is not yet finished is making the same mistake: They are all bogged down at around chapter 4 or 5. Why? Because they are editing everything as they go. Dotting every T, crossing every 'i' and writing and re-writing every sentence until it is perfect. There are a few theories as to why you just can't do this but let me just be clear up front: YOU CAN'T DO THIS!
DAVID CHISLETT
"Editing Is Not Writing", Books LIVE, February 12, 2016
Whether 10 or 1,000 people are listening is irrelevant. Writing is an investment in your future and your potential.
BIANCA BASS
"Why You Should Write (Even If It Feels Like Nobody Is Listening)", Huffington Post, February 29, 2016
He did not seem to know enough about the people in his novel. They did not seem to trust him.
JAMES BALDWIN
Another Country
The writer must believe that what he is doing is the most important thing in the world. And he must hold to this illusion even when he knows it is not true.
JOHN STEINBECK
New York Times, June 2, 1969
Writing is a job, a talent, but it's also the place to go in your head. It is the imaginary friend you drink your tea with in the afternoon.
ANN PATCHETT
Truth and Beauty
Often I think writing is a sheer paring away of oneself leaving always something thinner, barer, more meager.
F. SCOTT FITZGERALD
letter to "Scottie" Fitzgerald, April 27, 1940
Things that you write are in some degree autobiographical, but the first thing you find out about autobiography is that it's the hardest thing in the world to write. It's hard because it's very difficult to be absolutely factual about yourself. So ... when you write, you may draw on facts from your own life, but if their not in harmony with your story, they're worse than useless. You just stumble over them.
SAUL BELLOW
Q & A at Howard Community College, February 1986
You have to seduce the reader, manipulate their mind and heart, listen to the music of language. I sometimes think of prose as music, in terms of its rhythms and dynamics, the way you compress and expand the attention of a reader over a sentence, the way the tempo pushes you towards an image or sensation. We want an intense experience, so that we can forget ourselves when we enter the world of the book. When you are reading, the physical object of the book should disappear from your hands.
CARLOS RUIZ ZAFON
"The Shadow Maker", The Telegraph, November 27, 2005
Popular success is a palace built for a writer by publishers, journalists, admirers and professional reputation makers, in which a silent army of termites, rats, dry rot and death-watch beetles are tunnelling away, till, at the very moment of completion, it is ready to fall down. The one hope for a writer is that although his enemies are often unseen they are seldom unheard. He must listen for the death-watch, listen for the faint toc-toc, the critic's truth sharpened by envy, the embarrassed praise of a sincere friend, the silence of gifted contemporaries, the implications of the don in the manger, the visitor in the small hours. He must dismiss the builders and contractors, elude the fans with an assumed name and dark glasses, force his way off the moving staircase, subject every thing he writes to a supreme critical court. Would it amuse Horace or Milton or Swift or Leopardi? Could it be read to Flaubert? Would it be chosen by the Infallible Worm, by the discriminating palates of the dead?
CYRIL CONNOLLY
Enemies of Promise
Since we must and do write each our own way, we may during actual writing get more lasting instruction not from another's work, whatever its blessings, however better it is than ours, but from our own poor scratched-over pages. For these we can hold up to life. That is, we are born with a mind and heart to hold each page up to, and to ask: is it valid?
EUDORA WELTY
On Writing
The purpose of a writer is to keep civilization from destroying itself.
ALBERT CAMUS
attributed, 2012: Waking of the Prophets
I can't leave a chapter alone until I think it's as good as I can make it at that time. Often I will reach a stage, say, a third of the way into the book, where I realize there's something very wrong. Everything starts to feel shallow and false and unsatisfactory. At that stage I'll go back to the beginning. I might have written only fifty pages, but it's like a cantilever and the whole thing is getting very shaky because I haven't thought things through properly. So I'll start again and I'll write all the way through and then just keep going until it starts to get shaky again, and then I'll go back because I'll know that there's something really considerable, something deeply necessary waiting to be discovered or made. Often these are unbelievably big things. Sometimes they are things that readers will ultimately think the book is about.
PETER CAREY
The Paris Review, summer 2006
The only characters I've made to resemble real people have been grotesques.
GLEN COOK
interview, SF Site, September 2005
I never write in the daytime. It's like running through the shopping mall with your clothes off. Everybody can see you. At night ... that's when you pull the tricks ... magic.
CHARLES BUKOWSKI
Interview Magazine, September 1987
I like that every page in every book can have a gem on it. It's probably what I love most about writing--that words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around. They're the best moments in a day of writing -- when an image appears that you didn't know would be there when you started work in the morning.
MARKUS ZUSAK
The Book Thief
I tend to be very much a planner. I mean obviously details veer in the telling all the time, that's clearly the case, but in terms of the broad architecture of a book I plot carefully and if things start to veer halfway through, I tend to stop and either pull them back on course, or if I realize they are going in a better direction, I extrapolate and work out what effect this is going to have further down. I am not one of these writers who is able to enjoy flying by the sit of my pants. And there's no value judgment there, incidentally. I am very well aware that some absolutely fantastic, wonderful writers do that. For me, no, I cannot do it. I have to plan quite meticulously.
CHINA MIÉVILLE
"In a Carapace of Light: A Conversation with China Miéville", Clarkesworld
The writer is often faced with two choices--turn away from the reality of life's intimidating complexity or conquer its mystery by battling with it. The writer who chooses the former soon runs out of energy and produces elegantly tired fiction.
CHINUA ACHEBE
There Was a Country: A Personal History of Biafra
Some people talk to themselves, and some people write, and somehow society has decided that one gets committed and one gets a paycheck.
BOB LONSBERRY
official website
When we attempt to articulate our tender feelings in writing, we enter an inner dialogue of self-exploration: we forage for the more precise word, the more resonant phrasing. If the writing is done with particular care and attention, there is a Goldilocks quality to it: We rustle through an assortment of terms, discarding one, perhaps as "too weak" or another "too ordinary" until we settle upon the one that is "just right". In doing so, we have discovered something about ourselves.
DANIEL GRIFFIN
"Don't Tell Him You Love Him... Put It in Writing", Huffington Post, February 15, 2016